Rose’s Thorn

๐—•๐—ผ๐—ผ๐—ธ: Rose’s Thorn ๐Ÿ“š
๐—”๐˜‚๐˜๐—ต๐—ผ๐—ฟ: Lynn-Steven Johanson โœ๏ธ
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Lynn-Steven Johansonโ€™s Roseโ€™s Thorn opens with an ordinary teenage girl driving home along a quiet Iowa road, an everyday scenario that quickly spirals into terror. From that moment forward, the tension rarely lets up. Johanson creates an atmosphere of dread that lingers long after each chapter ends.

Detective Joe Erickson is a well written protagonist whose emotional scars run deep. Still reeling from his capture of a sadistic serial killer in Chicago, Joe returns to his Iowa hometown only to be drawn into another horrifying case. His internal struggles add emotional weight to the investigation, making the story more than just a procedural. The psychological depth of Joeโ€™s character elevates the novel, grounding the suspense in real human trauma.

What makes Roseโ€™s Thorn especially effective is its unsettling realism. Fans of character-driven crime fiction will appreciate the balance of action, emotional complexity, and investigative detail. This is a strong entry into the Joe Erickson mystery series.

  • ๐— ๐˜† ๐—ฅ๐—ฎ๐˜๐—ถ๐—ป๐—ด: 5/5

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Crystal Gaze-Key West

๐—•๐—ผ๐—ผ๐—ธ: Crystal Gaze-Key West ๐Ÿ“š
๐—”๐˜‚๐˜๐—ต๐—ผ๐—ฟ: L.L. Hill โœ๏ธ
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Few thrillers dare to suggest that absolute truth could destabilize institutions. In Crystal Gaze-Key West, the real danger is not whether the device works but that it does. Government officials quickly recognize that some cold cases are cold by design.

The pacing is sharp, moving fluidly between Key West nightlife, academic laboratories, and shadowy political conversations. This fragmentation creates a sense of inevitability as if multiple domino chains are falling simultaneously.

Toniโ€™s internal conflict mirrors the external stakes. Sleep deprivation, grief, and isolation heighten the psychological tension. She is not simply defending a scientific tool; she is defending the principle that truth should not be negotiable.

Hill crafts a narrative that feels timely. Readers who appreciate conspiracy-tinged crime dramas will find this novel thrilling.

  • ๐— ๐˜† ๐—ฅ๐—ฎ๐˜๐—ถ๐—ป๐—ด: 5/5

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Interview with author Lynn-Steven Johanson

Q1. Hello, can you please introduce yourself? Readers would love to know more about you.

A1. My name is Lynn-Steven Johanson, but my friends and acquaintances know me as “Lynn.” I hold an MFA degree from the University of Nebraska-Lincoln. My career has gone from stage director to playwright to novelist. I am currently focused on writing the Joe Erickson Mysteries, a series of police procedurals that follow a Chicago detective as he solves homicides. The seventh installment, Wreaking Vengeance, is due out this spring. I have been married to my wife for over fifty years, and we have three adult children and four grandchildren. One of my hobbies is attending car shows with the street rod I built, a 1932 Ford Coupe.

Q2. What were the key challenges you faced while writing your book “Corrupted Souls”?

A2. The challenge I experience with all my books is outlining the plot before I begin writing. I have to work from a detailed plan, and creating a paradigm for the story is time-consuming and requires a great deal of thought. It’s not something that comes easily or something I can do in a few days. It evolves over a period of weeks.

Q3. What books or authors have most influenced your own writing?

A3. That’s an interesting question because I don’t really know. My favorite novelists are David Baldacci, Anne Perry, and Jonathan Kellerman. People say my books remind them of Michael Connelly’s novels, but since I’ve only read one of his, I think any similarity is coincidental. I suppose I could have absorbed elements and techniques from all the authors I’ve read. Being a playwright has certainly influenced my novels, as they feature a lot of dialogue and minimal description.

Q4. Whatโ€™s your favourite spot to visit in your own country? And what makes it so special to you?

A4. It’s not an exciting or romantic place. It’s more personal. I have lived in Illinois for the past 35 years, but I grew up in Marathon, a small town in Iowa. I like to return there each summer for the town picnic and the school’s alumni banquet. It gives me a chance to visit with old friends and visit the cemetery where my parents, grandparents, and other relatives are buried.

Q5. What inspired you to write the book ‘Sins Revealed’?

A5. In 1975, one of my high school classmates was murdered, and the case has never been solved. I used the circumstances of his death and wrote a fictional story around it. There are a few factual things in the book, things that only I know about, but most of it is fiction. I always thought his tragic story would make a good book, but I wanted to wait until his mother passed before I tackled it. She was a sweet lady, and I didn’t want her to think I was profiting off her son’s death.

Q6. How long did it take you to write your book, ‘Havana Brown’?

A6. My first book, Rose’s Thorn, was adapted from a screenplay I had written several years earlier, so the story was already written. Havana Brown, my second book, was one I had to write from scratch. I had to create a story and structure it before I could begin writing. Because it was a prequel, I drew on references from Rose’s Thorn, such as the serial killer and my main character’s mental breakdown. It was challenging, but the first draft eventually came together in about six months.

Q7. On what platforms can readers buy your books?

A7. Amazon has all of my books available for purchase. And they are available at most major bookstores, such as Barnes & Noble and Books-a-Million. Other online vendors, like Kobo and World of Books, also have my books for sale.

Q8. Tell us about the process of coming up with the book cover and the title ‘Rose’s Thorn’?

A8. My publisher creates the book covers based on my input. If I find an image I would like them to use, they will consider it. The cover to Sins Revealed was one I found online, and my publisher obtained permission to use it. The title of Rose’s Thorn references a character avenging the death of a girl named Rose. I use two-word book titles because they are concise and easy to remember.

Q9. When writing a book, how do you keep things fresh, for both your readers and also yourself?

A9. Every story begins with a homicide, and I try to find an interesting and unique way the victim was killed. Once I have that established, it comes down to developing the characters and the plot elements. Each book has its own story, and I try not to repeat anything I have written about in previous books. Some of the police procedures remain the same, but I make sure the who, what, where, and why are unique. Each book is written as a standalone story rather than a continuation of one in a previous book. That way, they can be read out of order.

Q10. What is the most valuable piece of advice youโ€™ve been given about writing?

A10. Read, read, read. Read the masters of the genre in which you intend to write. You learn a lot from them. In addition, read the works of great writers such as Hemingway, Twain, Steinbeck, and others. And as you read, think about what makes their writing great. They can be your greatest teachers. I have never had a class in playwriting. Tennessee Williams, Anton Chekhov, Samuel Beckett, and others were my teachers.

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Awakening the Remnant II: The Thrones of Lies Are Falling

๐—•๐—ผ๐—ผ๐—ธ: Awakening the Remnant II: The Thrones of Lies Are Falling ๐Ÿ“š
๐—”๐˜‚๐˜๐—ต๐—ผ๐—ฟ: Melissa Bridgelal โœ๏ธ
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Awakening the Remnant II: The Thrones of Lies Are Falling is not a book meant for casual reading, it is a confrontation. From the opening pages, Melissa Bridgelal makes it clear that this work exists to expose deception, challenge comfort, and call readers back to uncompromising truth. The language is bold, prophetic, and unapologetic, addressing a world where falsehood no longer hides but openly claims authority.

The author does not merely point out errors; she explains how deception operates historically, culturally, politically, and spiritually. Each chapter builds discernment, urging readers to test beliefs against Scripture rather than tradition or emotion.

Readers are repeatedly reminded that every system, belief, and practice aligns either with truth or deception. Rather than condemning individuals, the book exposes systems inviting repentance, separation, and renewal.

This book serves as a wake-up call for believers who sense something is deeply wrong but struggle to articulate it.

  • ๐— ๐˜† ๐—ฅ๐—ฎ๐˜๐—ถ๐—ป๐—ด: 5/5

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Ogallala

๐—•๐—ผ๐—ผ๐—ธ: Ogallala ๐Ÿ“š
๐—”๐˜‚๐˜๐—ต๐—ผ๐—ฟ: Eric Eichhorn โœ๏ธ
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The novel begins with Bennettโ€™s return to Ann Arbor, driven by nostalgia and the faint hope of rekindling a past relationship. Instead of comfort, he finds himself pulled into an unplanned road trip that quickly becomes a study in the imbalance between youth and age, control and surrender, desire and obligation.

Bennett is a well written protagonist. Eichhornโ€™s prose carefully tracks Bennettโ€™s thoughts as he rationalizes decisions, absorbs discomfort, and avoids conflict, revealing how inertia can shape a life as powerfully as ambition. The supporting characters particularly Zoe and Hector act as destabilizing forces, exposing Bennettโ€™s vulnerabilities and forcing him into situations that strip away his sense of control.

The setting of Ogallala functions as more than a backdrop; it becomes a symbolic endpoint where emotional drift meets consequence. Readers who ask difficult questions about choice, responsibility, and self-awareness will have a great time reading this book. The book is well paced and kept me hooked until the last page.

  • ๐— ๐˜† ๐—ฅ๐—ฎ๐˜๐—ถ๐—ป๐—ด: 5/5

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The Zookeeper’s Dragon

๐—•๐—ผ๐—ผ๐—ธ: The Zookeeper’s Dragon ๐Ÿ“š
๐—”๐˜‚๐˜๐—ต๐—ผ๐—ฟ: Carolyn Mathews โœ๏ธ
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Set around a small zoo, the story begins with the mysterious arrival of a large egg and quickly draws the reader into the quiet, emotionally layered life of Phil Crawford, a zookeeper still carrying grief, responsibility, and loneliness. Mathewsโ€™ writing flows effortlessly, using subtle humour and rich sensory detail to make the setting feel alive, while keeping the reader intrigued by the unanswered question of what exactly is waiting to hatch.

As the narrative unfolds, the novel becomes as much about relationships as it is about dragons. The bond between Phil and his macaw, Sapphire, is touching, while the arrival of Pearl adds energy, curiosity, and a hint of romance. Mathews excels at portraying connections between humans and animals, suggesting that care, empathy, and presence are as powerful as any form of magic.

Ultimately, The Zookeeperโ€™s Dragon is a comforting read that invites the reader to slow down and believe in quiet miracles. It is a story about healing, guardianship, and the courage it takes to protect something fragile in a world governed by rules and expectations. This novel will appeal to readers who enjoy magical realism with heart, and stories that linger long after the final page.

  • ๐— ๐˜† ๐—ฅ๐—ฎ๐˜๐—ถ๐—ป๐—ด: 5/5

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M-A-R-C: Martian Armed Resistance Corps

๐—•๐—ผ๐—ผ๐—ธ: M-A-R-C: Martian Armed Resistance Corps ๐Ÿ“š
๐—”๐˜‚๐˜๐—ต๐—ผ๐—ฟ: D.R. Spires โœ๏ธ
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Set in the year 2213, the narrative unfolds across Earth, Mars, and deep space, introducing readers to a future shaped by corporate empires, interplanetary politics, and revolutionary scientific breakthroughs. The presence of Hyperion adds a fascinating emotional counterpoint to the human ambition driving the plot.

Spires excels in constructing a believable scientific framework for time travel. Rather than relying on fantasy tropes, the novel builds its premise through discussions of geometry, quantum theory, relativity, and multidimensional mathematics. The mysterious silver cube, an experimental time device, serves as both a narrative catalyst and a symbol of humanityโ€™s fragile grasp on forces it barely understands. 

Beyond the science, the novel gains strength from its political dimension. Senator Tashโ€™s internal struggle between safeguarding history and reshaping it adds emotional weight to the high-concept ideas. Ambitious, and intellectually dense, M-A-R-C is a strong beginning to a trilogy that is well paced and will hook readers until the last page.

  • ๐— ๐˜† ๐—ฅ๐—ฎ๐˜๐—ถ๐—ป๐—ด: 5/5

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The Trudge Paradox

๐—•๐—ผ๐—ผ๐—ธ: The Trudge Paradox ๐Ÿ“š
๐—”๐˜‚๐˜๐—ต๐—ผ๐—ฟ: Ken Caselden โœ๏ธ
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In this book, Caselden reframes growth as a steady, conscious act of continuing forward even when clarity is missing. Through personal storytelling and therapeutic insight, the book creates a safe space for readers who feel overwhelmed, stuck, or quietly exhausted from carrying emotional weight for too long.

Caselden invites readers to slow down and listen to their bodies, emotions, and inner narratives while gently questioning the unconscious agreements and survival patterns that shape their lives. Each chapter blends introspection with practical reflection, encouraging readers not to fix themselves, but to understand themselves. The inclusion of mindfulness practices and journaling prompts allow healing to unfold in small, meaningful steps.

This book is for those who are tired of pretending they are fine and ready to meet themselves honestly. It speaks especially well to readers navigating loneliness, grief, identity shifts, or emotional burnout. It’s the first book by the author that I have read. I binge read it and loved every bit of this book.

  • ๐— ๐˜† ๐—ฅ๐—ฎ๐˜๐—ถ๐—ป๐—ด: 5/5

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Wild Women: Dance Like Gypsies in the Night

๐—•๐—ผ๐—ผ๐—ธ: Wild Women: Dance Like Gypsies in the Night ๐Ÿ“š
๐—”๐˜‚๐˜๐—ต๐—ผ๐—ฟ: R.D. Reynolds โœ๏ธ
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Wild Women: Dance Like Gypsies in the Night is a celebration of female friendship, freedom, and self-discovery. Told through the voice of Roxanna Renaldi aka Roxy, the novel immerses readers in a world of bold women who live unapologetically, love fiercely, and support one another through every stage of life. From sun-drenched beaches to poker nights, the story pulses with energy and authenticity.

Reynolds excels at character development. Each friend brings her own personality, history, and strength to the group, creating a dynamic that mirrors real-life sisterhood. The relationships are the emotional backbone of the novel, offering warmth, humor, and resilience in equal measure.

Whether recounting wild nights out or quiet moments of reflection, Reynolds writes with confidence. Beneath the laughter lies a thoughtful exploration of womanhood, aging, independence, and the courage it takes to reclaim joy after disappointment.

This novel is a love letter to women who refuse to shrink themselves. It reminds readers that life does not lose its spark with age, it often ignites more brightly. I had a great time reading this book. I strongly recommend it to my fellow readers.

  • ๐— ๐˜† ๐—ฅ๐—ฎ๐˜๐—ถ๐—ป๐—ด: 5/5

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Shards of an Empire

๐—•๐—ผ๐—ผ๐—ธ: Shards of an Empire ๐Ÿ“š
๐—”๐˜‚๐˜๐—ต๐—ผ๐—ฟ: Adam Lawless โœ๏ธ
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This novel balances explosive military action with intimate emotional struggles, creating a layered narrative that moves fluidly between war zones, courtrooms, and domestic spaces. The opening chapters are gripping, vividly portraying the chaos and miscalculation that lead to devastating loss.

The novel excels in depicting psychological unraveling. Brian Oโ€™Neillโ€™s descent from decorated officer to disgraced soldier is handled with raw intensity. His battle shifts from the physical dangers of Afghanistan to the emotional warfare within his own mind. The portrayal of post-traumatic stress, guilt, and spiraling resentment feels authentic and unsettling, offering a stark look at the unseen wounds of combat.

Lawless also broadens the lens to examine cultural identity and ideological conflict. Characters from South Asia, China, and the Middle East are not mere background figures but fully realized individuals wrestling with love, faith, ambition, and betrayal. This global cast reinforces the novelโ€™s central message: no nation or ideology exists in isolation, and personal choices reverberate across borders.

  • ๐— ๐˜† ๐—ฅ๐—ฎ๐˜๐—ถ๐—ป๐—ด: 5/5

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