B-Unstoppable

๐—•๐—ผ๐—ผ๐—ธ: B-Unstoppable ๐Ÿ“š
๐—”๐˜‚๐˜๐—ต๐—ผ๐—ฟ: Errol Fonseca โœ๏ธ
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B-Unstoppable is not just another motivational book. It is a raw, grounded, and practical guide to reclaiming personal power and building a life of purpose, confidence, and long-term impact. Drawing from his journey from extreme hardship in Mumbai to leading global organizations as a CEO, Errol Fonseca delivers a powerful narrative rooted in lived experience rather than theory.

At the heart of the book is the UNSTOP Code, a clear and repeatable framework designed to help readers break out of survival mode and step into intentional leadership. Fonseca addresses themes many readers silently struggle with like scarcity thinking, self-doubt, fear of visibility, burnout, and the habit of shrinking to stay safe.

The structure of the book is particularly strong. Divided into five parts from Breaking the Survival Cycle to Legacy in Motion, the content flows naturally from mindset shifts to habits, leadership, money, and purpose. The chapters are packed with practical reflections, real-life examples, and exercises that encourage immediate application.

Fonsecaโ€™s reflections on identity, discipline, self-respect, and ownership are especially impactful for professionals who feel stuck despite outward success.

What truly elevates B-Unstoppable is its emphasis on long-term thinking and legacy. This is not a book about quick wins or surface-level success. It challenges readers to ask deeper questions. Go ahead with this thought provoking read. I am glad to get my hands on this book.

  • ๐— ๐˜† ๐—ฅ๐—ฎ๐˜๐—ถ๐—ป๐—ด: 5/5

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I Think Itโ€™s a Sign That the Pun Also Rises

๐—•๐—ผ๐—ผ๐—ธ: I Think Itโ€™s a Sign That the Pun Also Rises ๐Ÿ“š
๐—”๐˜‚๐˜๐—ต๐—ผ๐—ฟ: Mark Leslie โœ๏ธ
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I Think Itโ€™s a Sign That the Pun Also Rises by Mark Leslie is a lighthearted read and a tribute to the art of the pun, the dad joke, and the well-earned groan. Leslie leans fully into silliness, inviting readers to relax and enjoy language at its most playful. The bookโ€™s strength lies in its sheer enthusiasm for wordplay. Every joke feels like it was shared with a grin.

Organized into themed sections such as meta jokes, one-liners, reflections, and observational humor, the collection offers constant variety while remaining easy to read in small doses. Readers can open the book at random and still find something amusing within seconds.

More than anything, the book succeeds because it understands its purpose: to bring joy, spark laughter, and encourage sharing. Leslieโ€™s humor feels inclusive and warm, making it suitable for readers of all ages who appreciate clean, clever comedy. I Think Itโ€™s a Sign That the Pun Also Rises is an ideal pick-me-up book. It is perfect for coffee tables, gift-giving, or those moments when a good laugh (or groan) is exactly whatโ€™s needed.

  • ๐— ๐˜† ๐—ฅ๐—ฎ๐˜๐—ถ๐—ป๐—ด: 5/5

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Anasazi Vision

๐—•๐—ผ๐—ผ๐—ธ: Anasazi Vision ๐Ÿ“š
๐—”๐˜‚๐˜๐—ต๐—ผ๐—ฟ: True North โœ๏ธ
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Anasazi Vision penned by the author True North is a powerful read that follows True on both a physical and emotional journey through memory, land, and identity. Central to the story is the presence of Trueโ€™s Mama, whose influence lingers long after her words were spoken. Her voice, teachings, and silences shape Trueโ€™s inner world, making the journey feel deeply rooted in family and inherited wisdom.

The Four Corners desert plays a vital role in the narrative, almost functioning as a character itself. Its vastness mirrors Trueโ€™s internal search, while its stillness allows space for reflection and grief. The authorโ€™s prose is restrained and thoughtful, letting the landscape and emotions speak. Each scene feels intentional, inviting the reader to pause and absorb its meaning.

This is a novel for readers who appreciate literary fiction driven by atmosphere and introspection. Anasazi Vision is less about external conflict and more about understanding where one comes from and where one truly belongs. Itโ€™s a gentle, contemplative read that stays with you long after it ends.

  • ๐— ๐˜† ๐—ฅ๐—ฎ๐˜๐—ถ๐—ป๐—ด: 5/5

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Through the Windshield: Drive-by Lives

๐—•๐—ผ๐—ผ๐—ธ: Through the Windshield: Drive-by Lives ๐Ÿ“š
๐—”๐˜‚๐˜๐—ต๐—ผ๐—ฟ: D. B. Sayers โœ๏ธ
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Through the Windshield: Drive-by Lives by D. B. Sayers is a compelling anthology of short fiction that makes for a gripping read.

โ€œSinbadโ€™s Sofaโ€ is a touching and intriguing story about a cat named Sinbad who wanders into Jerryโ€™s Standard station one night in search of refuge. The narrator offers him shelter and a comfortable sofa, which soon becomes a place of quiet comfort and emotional connection. The catโ€™s presence leaves a lasting impression but what happens when Sinbad suddenly disappears?

โ€œThe Village Boneyardโ€ follows Bryan, who takes a job at the municipal cemetery he refers to as the village boneyard. The work becomes unsettling when he is tasked with burying Karen Mooreman, a former classmate from his graduating year. Things grow even stranger when Bryan comes across a cluster of three headstones. He never mentioned them to Keith Connaught, a man he was working with. What path will Bryan walk in his life? Will he meet Keith again?

Each story kept me on the edge of my seat, and I found myself binge-reading one after another. The authorโ€™s writing style is engaging, the narration is strong, and the cover design is visually appealing. I was so absorbed in this anthology that I completely forgot about the world around me for a while.

  • ๐— ๐˜† ๐—ฅ๐—ฎ๐˜๐—ถ๐—ป๐—ด: 5/5

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Happy as Larry

๐—•๐—ผ๐—ผ๐—ธ: Happy as Larry ๐Ÿ“š
๐—”๐˜‚๐˜๐—ต๐—ผ๐—ฟ: Dr Larry Culliford โœ๏ธ
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Drawing on decades of clinical experience and personal introspection, Dr Larry Culliford explores a deceptively simple yet profoundly important question: What truly constitutes mental health?

This is not a conventional self-help book, nor a purely academic text. Instead, Culliford offers readers a lived inquiry, one rooted in real encounters with patients, families, mentors, suffering, burnout, and healing. From the opening chapters, it becomes clear that the authorโ€™s understanding of mental health goes far beyond the absence of illness. For Culliford, wellbeing is an ongoing process of growth, self-awareness, compassion, connection, and spiritual maturity.

One of the bookโ€™s greatest strengths lies in its storytelling. Clinical encounters are rendered with sensitivity and humanity, never reducing patients to diagnoses. Whether describing a young woman grieving an unacknowledged loss, a traumatised adolescent engaging in self-harm, or families trapped in destructive emotional patterns, Culliford consistently centres the readerโ€™s attention on the person rather than the pathology.

These stories are not used for dramatic effect; they are offered as learning moments, illustrating how healing often arises from presence, listening, and kindness rather than technical intervention alone. The memoir aspect of the book is equally compelling.

At its heart, Happy as Larry is a hopeful book. It suggests that even after trauma, emotional neglect, or professional burnout, growth remains possible.

  • ๐— ๐˜† ๐—ฅ๐—ฎ๐˜๐—ถ๐—ป๐—ด: 5/5

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Interview with author Terry Kruser

  1. Hello, can you please introduce yourself? Readers would love to know more about you.

Hi. My name is Terry Kruser. I am 67 years old and live in Renton, Washington (just SE of Seattle). Wow, there is so much! I was born and raised in Iowa. At 18, I joined and served 9 years in the Air Force, stationed worldwide, and this is when I gained most of my โ€œpeople experienceโ€. In 1986, I started school at the University of Iowa and graduated with a BS in pharmacy. I retired in 2014 for medical reasons. Iโ€™ve been very happily together with my husband over 25 years. I started writing when I was 18 and concentrate now on โ€œlife learning experienceโ€ essays instead of poetry.

Q2. What were the key challenges you faced while writing your book “Uncommon Poems Common People”?

The book is essentially composed of two parts. The first part โ€œThe Edgeโ€ was mostly written when I was in my teens in early 20โ€™s and concentrates mostly on the emotionally immature side of myself. The second part builds on the first with more mature life outlooks. The most difficult part was trying to find a way to coherently reconcile the two into a single body of work in a way that would achieve my overall goal, that of a guide to living that would show others that they, too, can achieve a sense of self-peace in their lives regardless of whatever challenges life may throw at us.

Q3. What books or authors have most influenced your own writing?

Iโ€™ve long been a sci-fi reader. Stephen Donaldsonโ€™s Thomas Covenant series (starting with Lord Foulโ€™s Bane) is a series thatโ€™s been re-read several times. Probably my all-time favorite book has been The World According to Garp by John Irving because it pegs people so well and accurately reflects life and people in all of their idiosyncrasy and absurdity. My own life has been strange, challenging, and wonderful and I like writing that reflects those qualities. That would include Stephen King, because he writes about what makes people tick and why they act like fallible people so well, but for some reason Iโ€™ve gravitated away from that genre. My own writing now is not influenced much by other authors, but (as its mostly always been) much more related to my own real-life lessons-oriented relationships and experiences.

Q4. Whatโ€™s your favourite spot to visit in your own country? And what makes it so special to you?

For the early part of my adult life, it was Glacier National Park in NW Montana. I really love places of natural beauty. Later, after moving to San Antonio, TX, it was our almost yearly fall trip to South Padre Island in far south Texas (not regular Padre Island, central TX coast), which has the best stretch of beach in the state. I tend to gravitate to places that feed my sense of spirituality, self-peace, and serenity. Nature and ordinary everyday things (as metaphorical symbols) appear a lot in my poetry simply because they are relatable and are things that people can key on and find personally relatable and as such, can more easily be tied to oneโ€™s mental and emotional state and well-being, in times of both the good and not very good.

Q5. What inspired you to write the book ‘Uncommon Poems Common People’?

Occasionally, Iโ€™ll pore over my old writing, and I found that I had a lot of really good stuff that was worth sharing and that people could relate to. More importantly, I think that because of my own personal experiences, others might be helped (because of what Iโ€™ve gone through, both good and bad) to find their own way. It took me literally decades to find answers and solutions to my own lifelong personal issues. There were things that I wished I could have known or thought of when I was younger, that it would have been nice if people who truly cared would have passed onto or told me as to the lessons in life we all could use, or even need. My hope is that others might gain and find their own ways through life more quickly and easily by knowing about my experience.

Q6. How long did it take you to write your book ‘Uncommon Poems Common People’?

I had to laugh when I saw this question. Iโ€™m 67 now and the vast majority of the material in the book was written before I was 25. The first half of the book was already written by the time I was in my mid 20s. I just had to fill in the blanks, organize, and get it all pieced together to say what I really wanted to say. Essentially, it only took a few months to put it all together once I decided to do a book. It took just as long for the editing process and the back and forth between my publisher and I to iron it all out. Even then, when it was published, somehow the printer managed to put in an all too obvious typo in it.

Q7. On what platforms can readers buy your books?

I self-published, so not in some of the obvious places like your corner bookstore. The book is available through the publisher Dorrance, and naturally Amazon in softcover and Kindle formats. Itโ€™s been a few years since originally published, so Iโ€™m not sure if Barnes and Noble even stocks it any more. Amazon is a readerโ€™s best, quickest, and easiest bet. I donโ€™t think the e-format does poetry writing justice; Iโ€™m not a big fan of it. Iโ€™m really lousy at marketing so popular it isnโ€™t.

Q8. Tell us about the process of coming up with the book cover and the title ‘Uncommon Poems Common People’?

The book cover was easy, entirely driven by Dorrance the publisher. They came up with a couple of designs and I wasnโ€™t really picky. One they came up with was appealing enough. For the title, I wanted something that reflected the book. The type of poetry style I use is fairly unique to myself and is out of step with a lot of modern poetry. Cโ€™mon, itโ€™s about the writing itself and not how you spread the words all over the page. A lot of my poetry is deeply and intimately personal and relatable. I write about emotions and experiences relatable to most everyone, so that what makes it for โ€œcommon peopleโ€. An interesting side note is that the original title I had pegged was โ€œUncommon Poems for Common Peopleโ€. While putting the book together, I found out that a writer in Spain had coincidentally recently published a book โ€œUncommon Poems for the Common Peopleโ€, so I ditched the โ€œforโ€ out of my own title to help ameliorate any possible confusion. (I saw enough of it to realizeโ€ฆ completely different). Iโ€™m happy with the result.

Q9. When writing a book how do you keep things fresh, for both your readers and also yourself.

Like any writer, recurring themes in composition and content often come up, especially when itโ€™s personally emotional and thereโ€™s some internal axes that need to be ground. I had my own set of issues when I was a lot younger and that was a rut that it was easy to fall into in my writing. This results in boring and repetitious writing. This final set I think is pretty darn good. Iโ€™ve had some reviewers not liking my repeating themes between the first and second parts who didnโ€™t recognize the shifts in tone, (the sometimes slow) growth, change, and maturity; some did). That being said, Iโ€™ve done some truly bad carry-on forever writing, and composed some real stinkers in my time. To keep things fresh, you have to keep things real, honest, and straight to the point, or else itโ€™s too much of a burden to the reader. Young and inexperienced writers (like me at one time), being so eager to get their message across, tend to make these kinds of mistakes.

Q10. What is the most valuable piece of advice youโ€™ve been given about writing?

Thereโ€™s several (see above). Keep it real, honest, and to the point. Write about things you know about and have experience with. Donโ€™t make it too auto-biographic, unless thatโ€™s the point. If youโ€™re not familiar enough with the subject matter you want to write about, do your first rough drafts to get your ideas down and fixed, then educate yourself on the potential holes in your writing and knowledge base. We may think we know all about some things, but those who actually do know and have the experience, they will have the last laugh every time. And above all, DO NOT write โ€œabove the headsโ€ of the people in your target audience. In some feedback from my first book, I was told that I wrote at a post-graduate level and only then did I realize I needed to tone it down if I wanted to write something that people would actually want to read.

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Interview with author Rusty Austin

Q1. Hello, can you please introduce yourself? Readers would love to know more about you.

A1. My name is Rusty Austin, I got the nickname when I was a kid because of the shock of red hair. I grew up in Colorado, where the lifestyle is to spend as much time in the outdoors as possible. All the weekend hiking and backpacking and rock climbing led me to a love of nature and animals. I graduated from UCLA in 1988 and went on to spend 30 years as a reality TV producer in Hollywood, where I worked on shows like Survivor, Big Brother, Nanny 911 and Hell’s Kitchen. In reality TV we take many hours of footage and hone it down and down and down until we get to the smallest kernel we can find that still tells the story the way we want it to be told. That experience has come in quite handy in my writing career. I retired in 2018 and now I write children’s animal poetry books and the occasional non-fiction book for adults.

Q2. What were the key challenges you faced while writing your book “Dave and Me”?

A2. My lifelong friend Dave died unexpectedly at age 60 and I wanted to pen a memoir to honor him. I had to make sure it was as accurate as possible to my memories of our times together. The biggest challenge was trying not to feel too much grief while writing so the joy of life could come out over the pain of deathโ€ฆwhat resulted was a lot of short stories recalling specific events, both humorous and serious.

Q3. What books or authors have most influenced your own writing?

A3. Charles Bukowski is one of my favorite writers, I try to pay homage to him in every one of my short stories. One of my favorite books, believe it or not, is Ulysses by James Joyce. I like it because it successfully breaks almost every writing rule known to man. It took me 10 years to get through it, I would read and reread several pages then put it down for a month or two.

Q4. Whatโ€™s your favourite spot to visit in your own country? And what makes it so special to you?

A4. My favorite spot to visit is Glenwood Springs, Colorado, where they have one of the largest natural hot springs pools in the world. My whole family learned to swim there, and I’ve passed it on to my nieces and nephews, and I plan to do so soon to my grandchildren.

Q5. What inspired you to write the book ‘Dave and Me’?

A5. My lifelong best friend Dave passed away unexpectedly at age 60 and I wanted to write something for both myself and our extended family to remember him. I had a drawer full of short stories that I had written over the years, many of which had him in them, so it seemed like a good place to start.

Q6. How long did it take you to write your book ‘Dave and Me’?

A6. In a way I’ve been working on it for 30 years because many of the stories I wrote while the events were still fresh in my mind. It took me about 2 months to go through the archives (many of which existed only in print and had to be transcribed) and cull out the best of it, then another two months to fill in the gaps and select the photos (again many of which only existed as hard copies and had to be scanned).

Q7. On what platforms can readers buy your books?

A7. Amazon.com, the series on Amazon is called Goofy Things by Rusty, also on Barnes&Noble.com and IngramSpark.com. They are also available on my website, rustyaustin.com

Q8. Tell us about the process of coming up with the book cover and the title ‘Dave and Me’?

A8. I wanted the simplest title I could dream up that still described accurately the vibe I was looking for. The title came quickly, but, I went through many iterations of the cover before I landed on the abstract pattern and green color that I think really speaks to what I was trying to say.

Q9. When writing a book how do you keep things fresh, for both your readers and also yourself.

A9. I write when I feel like it and stop when I no longer do. Then the next time I sit down I do a fair piece of editing to make sure I’m not repeating myself or even worse boring myself! I figure if it bothers me it bothers my readers.

Q10. What is the most valuable piece of advice youโ€™ve been given about writing?

A10. There’s a few, Stephen King said writing is applying the seat of the pants to the seat of the chair, which kind of contradicts the way I write now that I’m retired but is still true, Winston Churchill said the work of the world is done by people that don’t feel very well, which also rings true. Bukowski said the days run away like wild horses over the hills. I have that on my license plate frameโ€ฆ

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Dave and Me

๐—•๐—ผ๐—ผ๐—ธ: Dave and Me ๐Ÿ“š
๐—”๐˜‚๐˜๐—ต๐—ผ๐—ฟ: Rusty Austin โœ๏ธ
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Dave and Me is a gritty, laugh-out-loud memoir that captures the essence of lifelong friendship with brutal honesty and irreverent humor. Rusty Austin doesnโ€™t romanticize the past; instead, he recreates it exactly as it was – messy, reckless, absurd, and deeply human. Through episodic storytelling, the book reads like a series of unforgettable bar stories that somehow carry real emotional weight beneath the laughter.

What makes the book stand out is its voice. The narration feels unfiltered and conversational, pulling readers directly into moments of lightning strikes on golf courses, doomed betting systems at the racetrack, and misadventures fueled by youth, bravado, and poor judgment. Austinโ€™s writing reflects the authenticity of the era, the friendship, and the personalities involved.

At its core, Dave and Me is a love letter to a best friend who is no longer around. Beneath the chaos and comedy lies a quiet grief that sneaks up on the reader. The book reminds us that the most meaningful relationships are often built not on grand gestures, but on shared stupidity, loyalty, etc.

  • ๐— ๐˜† ๐—ฅ๐—ฎ๐˜๐—ถ๐—ป๐—ด: 5/5

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Uncommon Poems Common People

๐—•๐—ผ๐—ผ๐—ธ: Uncommon Poems Common People ๐Ÿ“š
๐—”๐˜‚๐˜๐—ต๐—ผ๐—ฟ: T.D. Kruser โœ๏ธ
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Uncommon Poems Common People is a deeply introspective collection that explores the emotional terrain of love, loneliness, identity, and personal growth. T. D. Kruser writes with an unfiltered honesty that makes each poem feel less like a performance and more like a confession. The recurring image of โ€œThe Edgeโ€ serves as a powerful metaphor for the moments in life when certainty fades and self-reflection begins.

The poems move fluidly through stages of human experience: joyful connection, heartbreak, isolation, and healing often mirroring the readerโ€™s own emotional cycles. Kruserโ€™s language is simple yet emotionally charged, allowing the feelings to take center stage rather than elaborate literary devices. This accessibility makes the work especially relatable, as if the poet is speaking directly to the reader rather than at them.

What makes this collection stand out is its emotional consistency and sincerity. The poems do not try to resolve pain too quickly; instead, they sit with it, examine it, and gradually transform it into understanding. Uncommon Poems Common People is not just a book of poetry, it is a companion for anyone navigating the quiet struggles of being human.

  • ๐— ๐˜† ๐—ฅ๐—ฎ๐˜๐—ถ๐—ป๐—ด: 4.5/5

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West of Tomorrow

๐—•๐—ผ๐—ผ๐—ธ: West of Tomorrow ๐Ÿ“š
๐—”๐˜‚๐˜๐—ต๐—ผ๐—ฟ: D.B. Sayers โœ๏ธ
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D.B. Sayers delivers a captivating novel in West of Tomorrow, blending corporate intrigue with the inner turmoil of a man shaped by war. The story features Clay Conover, a retired Marine officer who appears to have successfully reinvented himself in the upper ranks of the business world. Yet beneath the surface of professional stability lies deep uncertainty, as Clay confronts a failing economy, a shrinking job market, and a corporate culture far removed from the clarity and structure of military life. Sayers draws a striking parallel between the dangers of combat and the moral minefields of corporate America.

The novel gains momentum when Clay is tasked with training Sheera Prasad, a brilliant rising star. As he grows to respect her intelligence and ambition, Clay uncovers a disturbing truth: Sheera has been hired to quietly unseat their boss, a man Clay deeply admires and feels loyal to. What follows is a tense moral standoff. If Clay chooses self-preservation and plays along, corporate power promises rich rewards. If he refuses, he risks losing everything alongside his boss. Sayers excels at exploring themes of loyalty, integrity, and identity. West of Tomorrow is a sharp, engaging novel. I am glad to get my hands on this book. Hats off to the author for this amazing story.

  • ๐— ๐˜† ๐—ฅ๐—ฎ๐˜๐—ถ๐—ป๐—ด: 5/5

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